Murder and flowers
Jan. 14th, 2015 05:52 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Ahhh murder on orient express. I could not bring myself to read the book previously, but after watching half an episode yesterday, I finally did. It's a pretty short book, just 137 pages long on the pdf that I obtained.
I must say that the drama follows the book pretty closely, with some changes being made as to the length of the story and changing the whole thing into Japanese... Well watching it raw was really a bit of a stretch. I would have preferred my dramas with Chinese subs, but yyets seems to have closed down? I discovered yyets.cc yesterday, but it seems that I have to watch it online, and with a program (not even sure if the program runs on mac) so I shouldered on with the raws last night. Only got to just past the hour mark though, then I opted to head to bed. Reading the book now, it makes me want to rewatch the drama to see if I can pick up more of their conversation that I had missed. But it sure is interesting, the drama. Looking forward to seeing how the 2nd night of the drama goes.
Sakura. The new single. Now this is interesting. Arashi singing for Toma's drama. I wonder if this was often done by other JE artists? But well we know it's a first for Arashi. It's interesting to analyse what Johnny-san/JE is thinking/planning behind the move. Has Toma finally gotten, or earned enough reputation for JE to lend him Arashi's star power? I mean like Arashi's name earns big bucks for JE and it's not something that they would lend out lightly for sure. Not to demean Toma or anything! I'm really glad he's doing well. It's good to see that he's still able to do so well despite being undebuted. Like Kazama Shunsuke. I liked that kid when watching Hachi Jidai J, you know that junior show with Hiromi and all of Arashi minus Ohno? There were so many juniors from that time who were so active and probably really popular too, but have now quit JE because of various reasons. Many citing that JE rules were too restrictive, they were not given many chances etc. So it makes me glad to see that there are people who didn't get debut but are still able to flourish/make a living in JE. Like Kazama-kun? I was pleasantly surprised to learn that he was still in JE when he guested on VSA quite some time ago. That's one cute guy. And looking at drama wiki now, he acted in four dramas last year. That's pretty good eh? It's good to know that it's just those few groups that can survive in JE IMO. Am I making any sense? JE can be a really tough place to be in, you only need to do a quick google search to find out about the lenghty periods of times when the kansai juniors were neglected to know how unfair it can be. Yet at the same time, it's not bad either. Juniors have their own TV shows, junior concerts, loads of chances and opportunities to grow. Debuted artists gets loads of support from the company, securing concert venues, holding concerts, publicity - and often riding on the sucess of older and more popular groups to pull the new groups up... You really can't say that JE treats them badly at all. Quite the contrary even. Like Arashi was given quite a lot of room to come up with ideas and such for their own concerts even in their rather early days, before they became the super, national idols that they are now...
Ah I'm starting to ramble so I'll stop here. Plus it's time for me to get off work so cya all next time!
I must say that the drama follows the book pretty closely, with some changes being made as to the length of the story and changing the whole thing into Japanese... Well watching it raw was really a bit of a stretch. I would have preferred my dramas with Chinese subs, but yyets seems to have closed down? I discovered yyets.cc yesterday, but it seems that I have to watch it online, and with a program (not even sure if the program runs on mac) so I shouldered on with the raws last night. Only got to just past the hour mark though, then I opted to head to bed. Reading the book now, it makes me want to rewatch the drama to see if I can pick up more of their conversation that I had missed. But it sure is interesting, the drama. Looking forward to seeing how the 2nd night of the drama goes.
Sakura. The new single. Now this is interesting. Arashi singing for Toma's drama. I wonder if this was often done by other JE artists? But well we know it's a first for Arashi. It's interesting to analyse what Johnny-san/JE is thinking/planning behind the move. Has Toma finally gotten, or earned enough reputation for JE to lend him Arashi's star power? I mean like Arashi's name earns big bucks for JE and it's not something that they would lend out lightly for sure. Not to demean Toma or anything! I'm really glad he's doing well. It's good to see that he's still able to do so well despite being undebuted. Like Kazama Shunsuke. I liked that kid when watching Hachi Jidai J, you know that junior show with Hiromi and all of Arashi minus Ohno? There were so many juniors from that time who were so active and probably really popular too, but have now quit JE because of various reasons. Many citing that JE rules were too restrictive, they were not given many chances etc. So it makes me glad to see that there are people who didn't get debut but are still able to flourish/make a living in JE. Like Kazama-kun? I was pleasantly surprised to learn that he was still in JE when he guested on VSA quite some time ago. That's one cute guy. And looking at drama wiki now, he acted in four dramas last year. That's pretty good eh? It's good to know that it's just those few groups that can survive in JE IMO. Am I making any sense? JE can be a really tough place to be in, you only need to do a quick google search to find out about the lenghty periods of times when the kansai juniors were neglected to know how unfair it can be. Yet at the same time, it's not bad either. Juniors have their own TV shows, junior concerts, loads of chances and opportunities to grow. Debuted artists gets loads of support from the company, securing concert venues, holding concerts, publicity - and often riding on the sucess of older and more popular groups to pull the new groups up... You really can't say that JE treats them badly at all. Quite the contrary even. Like Arashi was given quite a lot of room to come up with ideas and such for their own concerts even in their rather early days, before they became the super, national idols that they are now...
Ah I'm starting to ramble so I'll stop here. Plus it's time for me to get off work so cya all next time!
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Date: 2015-01-16 02:27 am (UTC)*hugs you*
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Date: 2015-01-16 04:20 am (UTC)